OperaV1, Main, Exploration, bibRecord, 000841

Acoustical study of classical Peking Opera singing.

Identifieur interne : 000841 ( Main/Exploration ); précédent : 000840; suivant : 000842

Acoustical study of classical Peking Opera singing.

Auteurs : Johan Sundberg [Suède] ; Lide Gu ; Qiang Huang ; Ping Huang

Source :

Journal of voice : official journal of the Voice Foundation ; 2012.

RBID : pubmed:21621380

Descripteurs français

Wicri :
- geographic : République populaire de Chine.

English descriptors

KwdEn :
- China, Culture, Humans, Male, Music, Speech Acoustics.
MESH :
- geographic : China.
- Culture, Humans, Male, Music, Speech Acoustics.

Abstract

Acoustic characteristics of classical opera singing differ considerably between the Western and the Chinese cultures. Singers in the classical Peking opera tradition specialize on one out of a limited number of standard roles. Audio and electroglottograph signals were recorded for four performers of the Old Man role and three performers of the Colorful Face role. Recordings were made of the singers' speech and when they sang recitatives and songs from their roles. Sound pressure level, fundamental frequency, and spectrum characteristics were analyzed. Histograms showing the distribution of fundamental frequency showed marked peaks for the songs, suggesting a scale tone structure. Some of the intervals between these peaks were similar to those used in Western music. Vibrato rate was about 3.5Hz, that is, considerably slower than in Western classical singing. Spectra of vibrato-free tones contained unbroken series of harmonic partials sometimes reaching up to 17 000Hz. Long-term-average spectrum (LTAS) curves showed no trace of a singer's formant cluster. However, the Colorful Face role singers' LTAS showed a marked peak near 3300Hz, somewhat similar to that found in Western pop music singers. The mean LTAS spectrum slope between 700 and 6000Hz decreased by about 0.2dB/octave per dB of equivalent sound level.

DOI: 10.1016/j.jvoice.2011.01.001
PubMed: 21621380

Affiliations:

Suède

Le document en format XML

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<author><name sortKey="Sundberg, Johan" sort="Sundberg, Johan" uniqKey="Sundberg J" first="Johan" last="Sundberg">Johan Sundberg</name>
<affiliation wicri:level="1"><nlm:affiliation>Department of Speech Music Hearing, School of Computer Science and Communication, KTH, Stockholm, Sweden. pjohan@speech.kth.se</nlm:affiliation>
<country xml:lang="fr">Suède</country>
<wicri:regionArea>Department of Speech Music Hearing, School of Computer Science and Communication, KTH, Stockholm</wicri:regionArea>
<wicri:noRegion>Stockholm</wicri:noRegion>
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<author><name sortKey="Gu, Lide" sort="Gu, Lide" uniqKey="Gu L" first="Lide" last="Gu">Lide Gu</name>
</author>
<author><name sortKey="Huang, Qiang" sort="Huang, Qiang" uniqKey="Huang Q" first="Qiang" last="Huang">Qiang Huang</name>
</author>
<author><name sortKey="Huang, Ping" sort="Huang, Ping" uniqKey="Huang P" first="Ping" last="Huang">Ping Huang</name>
</author>
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<author><name sortKey="Sundberg, Johan" sort="Sundberg, Johan" uniqKey="Sundberg J" first="Johan" last="Sundberg">Johan Sundberg</name>
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<author><name sortKey="Gu, Lide" sort="Gu, Lide" uniqKey="Gu L" first="Lide" last="Gu">Lide Gu</name>
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<author><name sortKey="Huang, Qiang" sort="Huang, Qiang" uniqKey="Huang Q" first="Qiang" last="Huang">Qiang Huang</name>
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<author><name sortKey="Huang, Ping" sort="Huang, Ping" uniqKey="Huang P" first="Ping" last="Huang">Ping Huang</name>
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<series><title level="j">Journal of voice : official journal of the Voice Foundation</title>
<idno type="e-ISSN">1873-4588</idno>
<imprint><date when="2012" type="published">2012</date>
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<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>China</term>
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<term>Music</term>
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<front><div type="abstract" xml:lang="en">Acoustic characteristics of classical opera singing differ considerably between the Western and the Chinese cultures. Singers in the classical Peking opera tradition specialize on one out of a limited number of standard roles. Audio and electroglottograph signals were recorded for four performers of the Old Man role and three performers of the Colorful Face role. Recordings were made of the singers' speech and when they sang recitatives and songs from their roles. Sound pressure level, fundamental frequency, and spectrum characteristics were analyzed. Histograms showing the distribution of fundamental frequency showed marked peaks for the songs, suggesting a scale tone structure. Some of the intervals between these peaks were similar to those used in Western music. Vibrato rate was about 3.5Hz, that is, considerably slower than in Western classical singing. Spectra of vibrato-free tones contained unbroken series of harmonic partials sometimes reaching up to 17 000Hz. Long-term-average spectrum (LTAS) curves showed no trace of a singer's formant cluster. However, the Colorful Face role singers' LTAS showed a marked peak near 3300Hz, somewhat similar to that found in Western pop music singers. The mean LTAS spectrum slope between 700 and 6000Hz decreased by about 0.2dB/octave per dB of equivalent sound level.</div>
</front>
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<affiliations><list><country><li>Suède</li>
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<tree><noCountry><name sortKey="Gu, Lide" sort="Gu, Lide" uniqKey="Gu L" first="Lide" last="Gu">Lide Gu</name>
<name sortKey="Huang, Ping" sort="Huang, Ping" uniqKey="Huang P" first="Ping" last="Huang">Ping Huang</name>
<name sortKey="Huang, Qiang" sort="Huang, Qiang" uniqKey="Huang Q" first="Qiang" last="Huang">Qiang Huang</name>
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<country name="Suède"><noRegion><name sortKey="Sundberg, Johan" sort="Sundberg, Johan" uniqKey="Sundberg J" first="Johan" last="Sundberg">Johan Sundberg</name>
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Serveur d'exploration sur l'opéra

Acoustical study of classical Peking Opera singing.

Acoustical study of classical Peking Opera singing.

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri

Pour générer des pages wiki

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